Ce catalogue accompagne l'exposition à la State Tetriakov Gallery dédiée à l'art de Mikhail Larionov, célèbre représentant de l'avant-garde russe du début du XXe siècle. Il comprend de nombreux articles sur différents aspects de son art comme la peinture et le dessin mais aussi le théâtre des périodes russe et française. Il aborde également le travail de Larionov en tant que commissaire d'expositions et fédérateur de groupes artistiques et consacre une sélection spéciale à sa collection personnelle.
The first ever survey of the pioneering feminist artist.
A comprehensive catalog on the work of New York artist Rosemary Mayer (1943-2014), Ways of Attaching provides an overview of the artist's work, moving from early conceptual experiments of the late 1960s through to textile sculptures and drawings made in the early 1970s, before focusing on propositional and durational performances and temporary monuments made from 1977 to 1982.
Highlighting Mayer's formal interest in draping, knotting and tethering, Ways of Attaching focuses on the artist's process of constructing real and imagined networks and constellations, in which friends and historical figures feature in expressions of affinity and attachment. It additionally features facsimile reproductions of Mayer's writings and newly commissioned essays reflecting on her work and the influences of astronomy, feminism, the art scene in New York in the 1960s and '70s, poetry, religion and Renaissance painting.
Available for a limited time, this artist's book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute.
As the Getty Research Institute artist in residence in 2014-15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled "The Importance of Objective Chance as a Tool of Research." Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty's archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
One of the most important artists of his generation, Olafur Eliasson (born 1967) creates immersive environments and spectacular public installations that probe the cognitive aspects of vision and transform the act of looking into a social experience. Merging art and science, Eliasson engages the observer as participant, challenging the passive viewing experience by utilizing such elements as temperature, smell, moisture and light to trigger physical sensations. Olafur Eliasson: Inner City Out documents the artist's first project in Berlin, where he has lived and worked for many years. Designed for the Martin-Gropius-Bau, and curated by Daniel Birnbaum, it examines the relationship between the museum and the city, bridging the two through ephemeral installations placed in various locations throughout the city as well as within the museum itself.
Cet ouvrage rassemble les écrits de Richard Tuttle provenant de catalogues d'expositions, livres et revues artistiques, mêlant textes déjà publiés et documents inédits. L'artiste post-minimaliste y déroule ses réflexions sur la pratique artistique mais rend également hommage à ses amis et artistes qu'il admire, comme Agnes Martin, et propose des récits de ses voyages et des poèmes.
The Space Between. When youre looking at two things, dont look at them, look between them ... The space between two things, thats very important. John BaldessariThe Space Between celebrates John Baldessaris final painting series 30 paintings on canvas that explore the gaps in meaning between word and image, foreground and background, photography and painting, presence and absence.Quintessentially Baldessarian in their witty, sometimes absurd pairings of objects and text, they feature imagery from film stills and found photographs, partially covered by gestural fields of white and black paint that direct our attention to
A Hopscotch of the Mind. Herve Telemaque b.1937, Port-au-Prince, Haiti lives and works in Paris.His work has been shown in exhibitions in Europe and the US since the 1960s, and was the subject of a major retrospective at the Centre Pompidou, Paris in 2015.The academic, C.C. McKee draws on their specialism in the art and visual culture of the modern Atlantic world in order to read Telemaques work through a psychoanalytic lens and the context of Haitian art.British artist Helen Marten and writer Lyonel Trouillot have composed thoughtful and poetic responses to Telemaques work, suggesting new points of entry into the artists uvre.Political
The challenging French conceptualist Gonzalez-Foerster is prominent on the international scene. For Skulptur Projekte Münster 2007, she showed small-scale replicas of other Münster fair works, past and present; for her recent ARC Paris museum show, she collaborated with designer Nicolas Ghesquière. Here she speaks with fellow relational aesthetician, Hans Ulrich Obrist.
